BuskNY is looking for folks with a few minutes to spare for performer outreach. It’s fun and low-commitment (0-3 hours per week, as you wish). Most of all, it’s a chance to hear great music. The key duty is direct outreach — i.e. chatting — with the performers you cross in the subway. You can read more on Idealist. To get involved, simply RSVP on Facebook for our training event next Monday, December 15 at 6:45 at 224 W 29th St, 14th floor. There will be snacks, and participants will receive free “We Are Culture” t-shirts. In other news, we’ve prepared our Kickstarter rewards for shipping. Those of you who backed our campaign can expect them to arrive soon, and anyone who missed out can still buy one for $25 — just email me at email@example.com.
A couple of days ago we launched our Kickstarter campaign to make new t-shirts. They’ll be free for performers like before, and you can also get one for $25 by backing our project!
We also have made a Facebook event for our art show SHOWTIME: Underground Arts, which so far features art by Chris Wright, David Everitt-Carlson, Ron Richter, Marina Ross, and Heidi Younger and will be opening October 3. We are hoping to get more artists involved before the Sept 19 deadline– if you have any art to submit or would like to perform at the opening, please send me an email at firstname.lastname@example.org.
BuskNY is pleased to announce that we are open for submissions for our upcoming exhibition. Please submit your work or share this information with any artists you know whose work is relevant to our theme!
“SHOWTIME: Underground Arts”
OPEN CALL FOR SUBMISSIONS
BUSKNY ART SHOW at Armature Art Space
BuskNY and Armature Art Space invite you to submit work for “SHOWTIME,” an exhibition of art made in and about the subway and public transit.
BuskNY is an arts advocacy organization that was created in 2013. Our mission is to generate broad awareness of the legality of artistic performance in the New York City subway, in order to end wrongful ejection, ticketing, and arrest of subway performers. While our primary focus is on musicians and performing artists, we also promote the creation, promotion, and sale of art by independent artists in the subway.
Through SHOWTIME, we will support visual artists whose work deals with or is made or sold in public transit and public space, with a particular focus on art made in the subway system itself. SHOWTIME will refocus the subway art dialogue on work made by independent artists, and publicly reemphasize that all New Yorkers can participate in the creative process.
Our partner, Armature Art Space, is a Bushwick gallery that showcases local artists using traditional media. Armature, which describes itself as “the support (or “armature”) on which artists can express themselves and around which artists may build community,” has graciously offered its gallery space free of charge.
The opening reception for SHOWTIME will feature refreshments and live performances by visual artists and prominent subway musicians.
Show dates: October 3-12
Opening: Friday, October 3 7-11 PM
Submission deadline: September 19
Work dropoff times: Minimum 3 days before opening
Work pickup times: Sunday, October 12 1-5 PM
Address: Armature Art Space, 316 Weirfield St, Brooklyn, NY
Submission information appears on the following page. We appreciate your interest, and will respond to all queries in a timely manner. Please feel free to forward this message to other artists, and to connect with us online at buskny.com or armatureartspace.org.
Please send all submissions and inquiries to Milo Wissig, email@example.com, with SHOWTIME SUBMISSION in the subject line. Please include an image of the piece[s] you would like to submit with the file name formatted as: Name_Title_HeightxWidthxDepth_Medium_Year.jpg.
The images should be 72 DPI JPEGs about 1000 pixels wide. Please include the following information:
If you choose to sell your work, you will receive 100% of the retail price. (Armature Art Space takes no commissions).You may submit up to six pieces for consideration; we will likely choose 1 to 3.
Nick Malinowski, a civil liberties activist who’s been an active opponent of Bill Bratton’s return to ‘Broken Windows’ policing, recently interviewed Heidi Kole, a long-term busker and busking proponent, over at Alternet.
It’s an in-depth interview that gives an inside perspective on the crackdown and its effects on the performing community. Good weekend reading, and a required text for folks reporting on the effects of the #WarOnShowtime. Check it out here.
Shiloh Levy gave a speech about the recent and planned further increases in enforcement of “quality of life crimes” (which results in increased enforcement of fictional laws as well.) Matthew asked me to check out Union Square a couple weeks ago and I went up and down every line; it was totally silent underground except for a single MUNY performer and a religious pamphlet table. Since then buskers have begun to return, but in smaller numbers, and I haven’t seen a churro vendor anywhere since.
Meanwhile Kalan, whose recent arrest has prompted some pretty bizarre political commentary as well as the more straightforward news coverage, arranged his equipment and assorted beasts, and ended the presentation with puppetry and balloon music.
In other news, last night I managed to make it down to open mic night at Goodbye Blue Monday for the first time since the place was saved from shutting down. In addition to coming out to the Busker Ball next time, I encourage everybody to check out GMB on a Tuesday night or whenever you can, and make sure the place doesn’t suddenly evaporate like Pearl Paint.
This Wednesday I attended the fourth Busker Ball at Williamsburg bar Spike Hill, an event organized by Theo Eastwind that features performances by New York City buskers. Arthur Medrano and Shiloh Levy performed wearing their BuskNY “Music is Legal!” t-shirts.
Ken Ruan went on second, and has also given me permission to use his photo here. Since I don’t have any training as a photographer, I considered myself pretty lucky to get some shots of everybody that weren’t totally blurry.
Great performances by everyone involved. Jess Goular at BreakThru Radio has written a more detailed article about the event,
We hope to see you at the next Busker Ball on January 23, 2014.
Almost immediately after we started giving them out, we began spotting our “Music is Legal!” t-shirts all over the city. Now that we’ve managed to distribute most of this summer’s supply, we’re creating a gallery of photos performers wearing the shirts.
We only have a few photos so far, but it would be great to see more people showing support!
Meanwhile, I’ve been working on setting up my own silkscreen equipment, so I can make even better shirts, with a new design, next year.
Also, don’t forget that our “Music is Legal” event at Armature Art Space in Bushwick is this Monday night! We hope to see you there!
Yesterday brought us an article in Gothamist, a flurry of discussion on Twitter and Facebook, and thousands of views between here and YouTube. Here’s what I learned:
1. New Yorkers love their music, and they want their musicians protected. Response to the story was overwhelmingly supportive and affirmative of the power and importance of public music.
2. New Yorkers have seen musicians harassed and arrested. I read through a lot of comments, and let me tell you, I’m not the first musician that these readers have seen escorted out of a station. Why doesn’t that news spread? Because there’s no central forum to share it — and we’re working to change that.
3. New Yorkers love their music — but they don’t always know it’s legal. Many comments from supporters still expressed unsureness or confusion about the rules. And that haziness in the public consciousness translates into a haziness in police practice, which results in harassment, summonses, and arrests. Let’s fix that: New York, Music is Legal!
The shirts arrived Thursday evening, and since I only had two days available to print them before losing access to my studio space (and I’m spending Sunday helping to install my show at the Painting Center), we had to rush to get them done.
With only two people, it took seven or eight hours to finish the front side of all 135 shirts.
My cousin Zeke took a detour into the city on his way up the Appalachian Trail, and he offered to help us print the backs. With his help, we finished them in four hours.
Matthew and Kalan will start distributing them to subway performers this week. Remember: Music is Legal!
If you are approached by police while performing in accordance with MTA rules, you have the right to continue your work. It is highly recommended to film the encounter, to display the MTA rules (we’ll mail you a copy free), and to state the officer’s badge number out loud.
If you are arrested for doing so, you have not committed a crime, and you have the right to a wrongful arrest lawsuit. See “Who To Call” for more information on doing so.
So, the big news from today is that I was arrested for a third time. Here’s how it happened:
I arrived at 68th St at 12:10 PM, unpacked, stood up with the instrument, and saw a police officer on the other platform as I did so. He shined his flashlight at me and shouted: “Not today!”
Well, it just so happens that I believe that music’s legal. So I hollered back: “Yes! Today!” Then I launched “Gigue” from the third Bach partita, and the officer set off for the stairs to reach my platform.
By the time he reached me, I had my instrument in its case to avoid damage. He told me to leave, I asked why, and this is what we established as the situation:
I then said that I was clear on the rules [“The following nontransit uses are permitted by the Authority, provided they do not impede transit activities and they are conducted in accordance with these rules: public speaking; campaigning; leafletting or distribution of written noncommercial materials; activities intended to encourage and facilitate voter registration; artistic performances, including the acceptance of donations; solicitation for religious or political causes; solicitation for charities.”], and that I would continue to perform until given a summons or being arrested.
Officer Kennedy — who had given me his name and badge number on request — said he would “call a unit” to arrest me, and that in the meantime, I could speak with the station manager. I went up, called Milo to say I’d be arrested soon, and talked to the station manager. This is what I found out:
I went back downstairs to meet my fate, and shortly afterward, two more officers arrived, one in a blue shirt and one white-shirt. They conferred with Officer Kennedy, then left without talking to me. After that, I waited for a possible arrest on my platform, and Officer Kennedy waited across the tracks without saying a word. I felt about like this:
After a long period of waiting, I wanted to work or be arrested, not sit around and be scared of some pseudo-legal threat. So, I got out the violin again. Officer Kennedy waved his arms, disappeared upstairs, and came back down a minute later with a new story, this time about a non-existent permit:
Since he was back in my face, I asked what options there were at that point. He still wanted me to leave “voluntarily”, which is how the NYPD says “through intimidation and without any legal justification.” I wasn’t having it and asked again if he would proceed to arrest:
Now, I’m not sure what was said in his initial meeting with his superiors, but I think he had cold feet at this point. In any case, he called for backup a second time, and I got to talk to Officer Bastien, who asked why it was legal to play:
Strangely, his curiosity about the law seemed to evaporate when he had the chance to have a copy of the rules in his hands. He changed to a new tactic, telling me that the rules could be “overruled” in the case of a safety problem.
Here’s the second part of his explanation of why police officers can decide the law:
I understand what he was saying, but what I didn’t see was the safety problem on that platform, which I repeatedly pointed out was quite empty. He finally said that he couldn’t explain the problem since he wasn’t there when I was asked to leave, and I asked if Officer Kennedy could explain it to me again:
Check out that long pause when he’s asked if Officer Kennedy can identify a safety concern. The reason he comes up with: “He asked you to stop playing and you would not stop.” So essentially, I was performing, there was no safety concern — but when I was then asked to leave the station and refused despite intimidation, THEN there was a safety concern.
And THIS reasoning, ladies and gentlemen, justified my arrest. Just after this video, Officer Bastien walked over to his superior, Sgt. Robson. There was a ten-second conversation, then Sgt. Robson approached me, ordered me to put my hands behind my back, and had me step against the wall.