BuskNY is looking for folks with a few minutes to spare for performer outreach. It’s fun and low-commitment (0-3 hours per week, as you wish). Most of all, it’s a chance to hear great music. The key duty is direct outreach — i.e. chatting — with the performers you cross in the subway. You can read more on Idealist. To get involved, simply RSVP on Facebook for our training event next Monday, December 15 at 6:45 at 224 W 29th St, 14th floor. There will be snacks, and participants will receive free “We Are Culture” t-shirts. In other news, we’ve prepared our Kickstarter rewards for shipping. Those of you who backed our campaign can expect them to arrive soon, and anyone who missed out can still buy one for $25 — just email me at firstname.lastname@example.org.
BuskNY is pleased to announce that we are open for submissions for our upcoming exhibition. Please submit your work or share this information with any artists you know whose work is relevant to our theme!
“SHOWTIME: Underground Arts”
OPEN CALL FOR SUBMISSIONS
BUSKNY ART SHOW at Armature Art Space
BuskNY and Armature Art Space invite you to submit work for “SHOWTIME,” an exhibition of art made in and about the subway and public transit.
BuskNY is an arts advocacy organization that was created in 2013. Our mission is to generate broad awareness of the legality of artistic performance in the New York City subway, in order to end wrongful ejection, ticketing, and arrest of subway performers. While our primary focus is on musicians and performing artists, we also promote the creation, promotion, and sale of art by independent artists in the subway.
Through SHOWTIME, we will support visual artists whose work deals with or is made or sold in public transit and public space, with a particular focus on art made in the subway system itself. SHOWTIME will refocus the subway art dialogue on work made by independent artists, and publicly reemphasize that all New Yorkers can participate in the creative process.
Our partner, Armature Art Space, is a Bushwick gallery that showcases local artists using traditional media. Armature, which describes itself as “the support (or “armature”) on which artists can express themselves and around which artists may build community,” has graciously offered its gallery space free of charge.
The opening reception for SHOWTIME will feature refreshments and live performances by visual artists and prominent subway musicians.
Show dates: October 3-12
Opening: Friday, October 3 7-11 PM
Submission deadline: September 19
Work dropoff times: Minimum 3 days before opening
Work pickup times: Sunday, October 12 1-5 PM
Address: Armature Art Space, 316 Weirfield St, Brooklyn, NY
Submission information appears on the following page. We appreciate your interest, and will respond to all queries in a timely manner. Please feel free to forward this message to other artists, and to connect with us online at buskny.com or armatureartspace.org.
Please send all submissions and inquiries to Milo Wissig, email@example.com, with SHOWTIME SUBMISSION in the subject line. Please include an image of the piece[s] you would like to submit with the file name formatted as: Name_Title_HeightxWidthxDepth_Medium_Year.jpg.
The images should be 72 DPI JPEGs about 1000 pixels wide. Please include the following information:
If you choose to sell your work, you will receive 100% of the retail price. (Armature Art Space takes no commissions).You may submit up to six pieces for consideration; we will likely choose 1 to 3.
Theo Eastwind suggested we sell the leftover “Music is Legal!” t-shirts at the 5th Busker Ball last Thursday at Spike Hill so I went to set up a merchandise table and took a lot of blurry shots of the show. We even got one of our shirts pinned up to the curtain with Blueberry Season pins.
It was a great show! I encourage anybody who missed it to come to the next Busker Ball on April 24th– and ask Theo about getting involved if you want to perform.
Shiloh Levy gave a presentation about buskers’ rights explaining what BuskNY is all about, followed by Heth of Heth and Jed who discussed his recent legal victory. I gave the last ten or so shirts to Arthur and Shiloh to distribute, so now I have room for the 2014 shirts. We learned a lot about what people want in a shirt from the first run, so I’m planning on doing something a little more complicated, and with a more inclusive message. There may be another Kickstarter campaign to raise funds for materials and equipment. I’ll keep you updated!
This Wednesday I attended the fourth Busker Ball at Williamsburg bar Spike Hill, an event organized by Theo Eastwind that features performances by New York City buskers. Arthur Medrano and Shiloh Levy performed wearing their BuskNY “Music is Legal!” t-shirts.
Ken Ruan went on second, and has also given me permission to use his photo here. Since I don’t have any training as a photographer, I considered myself pretty lucky to get some shots of everybody that weren’t totally blurry.
Great performances by everyone involved. Jess Goular at BreakThru Radio has written a more detailed article about the event,
We hope to see you at the next Busker Ball on January 23, 2014.
Almost immediately after we started giving them out, we began spotting our “Music is Legal!” t-shirts all over the city. Now that we’ve managed to distribute most of this summer’s supply, we’re creating a gallery of photos performers wearing the shirts.
We only have a few photos so far, but it would be great to see more people showing support!
Meanwhile, I’ve been working on setting up my own silkscreen equipment, so I can make even better shirts, with a new design, next year.
Also, don’t forget that our “Music is Legal” event at Armature Art Space in Bushwick is this Monday night! We hope to see you there!
Today, I finally got to meet New York’s famous saw lady, Natalia Paruz, as she was performing at Herald Square. What a sound! I ate a falafel sandwich a few feet away while listening to her: and lo, this sandwich has now been immortalized in a thousand tourist pictures.
Speaking of less-known instruments, I also listened to an erhu player at the Natural History Museum. He was surrounded by a group from a kids summer program, all wearing matching yellow “Creative Arts” t-shirts and listening intently.
When we got in the downtown B train, I asked the school group if they knew what instrument the man had been playing. One reflected deeply, then said: “Well, it’s not a real instrument.” Oh no!
Fortunately, I know enough about the erhu to be able to give them a quick run-down — where it’s from, how it’s played, how important an instrument it is. They were interested to hear that the songs being performed probably have a lengthy history, just like Western classical music. Remember, New York: learning happens in the subway, too!
Today was a great day to catch performances by other artists. (Seems like Saturday really brings out the best underground!) Highlights included a djembé player on the 86th 4/5, steelpan at the 42nd St ACE, and a really outstanding dance show at Union Square. Now, I don’t think I perform badly — but acts like these are doing the heavy lifting in terms of exhibiting and generating new culture. More power to you guys!
I also met a violin teacher en route from Philadelphia to Ithaca for a violin workshop. She performs herself — in the Philly subway — and said that her experiences there motivated her to become a teacher. Funny: many people assume subway performances are the end of the line for musicians. But if you listen to our stories, it turns very often that the subway is a beginning.
I had planned to play at 81st St Natural History — a station that’s known as “dangerous” for performers — for my last hour. But when I got there at 5:00, the “safe” side of the station was taken by an erhu player. I’m supposed to be standing up for my rights — but at that moment I was tired, I wasn’t dressed warmly enough for jail, and I didn’t want to stand up a friend for dinner. So today, I went home without playing.
Shucks: I guess that’s what they call intimidation. But don’t fret, 81st. I’ll be back soon!