Busker Ball VIII

BuskNY was proud to speak at Busker Ball 8, a showcase for the city’s most vibrant freelance performers, on Thursday. Under the direction of Theo Eastwind, the latest Busker Ball brought its focus to activism, criticizing the wrongful ejections, tickets, and arrests that have plagued the NYC subway performing community.

buskerball8 034

Grace Kalambay performs

BuskNY spoke and displayed the banner we used for our rally at City Hall, and the audience also heard a recorded update on buskers’ rights from Nick Broad of the Busking Project.

Performers included Lawrence Wilson, Eli Bridges and Ken Shoji, Theo Eastwind, Grace Kalambay, Cathie Russo, and Mr. Reed.

Announcing our first event: “Music is Legal!” at Armature Art Space

Rules of Conduct

BuskNY is pleased to announce our first community event on Monday, October 7th at Armature Art Space in Bushwick. We’re bringing together musicians and audience members to begin some community-building, and to discuss the way forward in dealing with harassment of subway performers. We’ll also be sharing updates on our own current cases and activism: stay tuned!

We’re excited to have a number of NYC subway performers meeting for the first time. And as we prepare for organizational hibernation over the winter, we want to hear from YOU what we should focus on next summer. We’re particularly keen to get everyone involved on many levels, including with advocacy, visibility, our “Music is Legal!” photo project, and spreading the word directly within the community. We look forward to seeing you there!

“Music is Legal!” at Armature Art Space
316 Weirfield St, Brooklyn, NY 11237
Monday, October 7, 9:15PM-11:30PM

Join this event on Facebook!

Follow Armature Art space’s page on Facebook for updates on future events (including an exhibition of my paintings sometime early next year!)

86th St: meet the station agent who has everyone arrested

I got a tip from a performer recently about a problem at 86th and Broadway. He was able to be quite specific about the problem: apparently, the station agent on the weekday afternoon shifts calls police every time she hears music, which has led to a number of arrests.

I made a trip up there today to see what the problem was. The station agent was very forthcoming about having called the police because of music on the platform. I showed her a copy of the rules, which she said she had never seen before. After a careful reading of the section about permitted non-transit activities, she said she now shared my opinion, but that she would still call her supervisor when she heard music. (According to her, station agents are trained to call their supervisors whenever they hear music. Fact or fiction? Maybe FOIL can tell us).

At this point, I asked her to confirm her claim with the Music Under New York office at the MTA. Surprise, she said: she is only able to call her supervisor and no one else. She did, however, agree to “call someone” to “come sort this out.”

After a fifteen minute wait, who arrived but a police officer. I showed her the rules pamphlet and she agreed that I’d be okay playing in the station. (She did ask why I had taken a picture of the station agent’s badge, which is required to be displayed in window of every station booth. Apparently the station agent had complained, in her call to the police, that a member of the public had dared record her badge number. I’m sure the MTA will love to hear that an employee was retaliating for having her badge number recorded.)

The police officer then went into the station booth to speak with the station agent for a few minutes. When she came back out, she had changed her opinion: it’s not okay to play on the platform, she said, but only on the mezzanine and only with a “license.”

I then showed her the pamphlet again, and provided the MUNY phone number so that she could confirm that no license was needed. She was convinced regarding MUNY, but seemed to think that the sections mentioning noise and blocking traffic provided a blanket justification for arresting and jailing any performer who ever performs on 86th St between the hours of 1 and 9 PM.

There was only one thing to do at that point. I pulled out a copy of the settlement notice from my lawsuit and told her that the last police officer to share her opinion cost the City of New York thirty thousand dollars. That made her doubt herself again. She said she would check with her sergeant about the rules, and invited me in to the 59th St precinct to discuss the matter further.

The only problem there? Well, the sergeant in question once threw me out of 59th St for daring to show him a copy of the rules (itself currently the topic of a CCRB investigation). So I doubt that the issue will get a fair hearing — at least, that is, until my two arrests from this summer cause some lawsuits to land at the 59th St doorstep.

And as far as the station agent goes? I’ll be filing a complaint shortly about the badge number reprisal and the harassment of performers. Given that my complaint about harassment at 81st generated a personal phone call and a promise to speak with the employee in question, I have high hopes. 86th St, we’ll bring the music back yet!

Working with the MTA: accountability for station agents

Summary:

Station agents often wrongfully call police on performers. If police tell you they were called by a station agent, or simply that they “got a call,” you can assert your right to perform. But also, you have the option of reporting the station agent. To do so, record the number on the badge displayed in the booth window. Then, call 511 and leave a clear complaint stating what occurred. The MTA will follow up with you by mail to consult about retraining — and you have created an official record that will protect future buskers in that station.

Are station agents ever responsible for the arrival of the police? And can we effect change by working with the MTA to address harassment that arises from station agents’ misunderstandings of the rules? That’s a question that most of us don’t think to ask — and indeed, it seems that the police most often get involved with performers of their own accord, when they really should be doing other things.

However, it may be that station agents do request police interventions more often than we realize. After all, when the police throw you out, you have to get right out — which precludes going to the booth to find out from the station agent if there were factually any concerns about noise or traffic. (It also keeps you from filing any complaints, and we’ve written before about being ejected precludes any documentation of the harassment). So really, a performer who’s ejected has no way to know if a complaint was made by the station agent at all, unless he or she risks arrest by disobeying an officer’s order to stay out.

I had the rare opportunity to find out directly about a station agent’s involvement on August 1. As I wrote in a post about that incident, I showed the officers a copy of the rules, and after reading them, they agreed that there was no reason for me to cease the performance.

I haven’t yet shared information about the next part. Once the officers had left, I went to the station agent and asked if she knew why the police had come. To my considerable surprise, she told me right up front that she had called them, apparently in response to a customer complaint. “And you know that performing here is legal?” I asked. “Well, I had to call, because it was a customer complaint,” she replied. I found this a bit unsatisfactory, and asked her if she would call the police if told by a customer that there was a train in the train station. She replied that she wouldn’t, but that she did feel obliged to call to report a musician.

I didn’t find that answer acceptable. So, I took down her badge number and immediately dialed the MTA at 511 to file a complaint. I told them that the police had been called to ask me to stop performing, and that the police themselves had refused to enforce that order. I explained the law to them briefly, and asked if they could look into why the station agent had called the police to report an activity permitted by the MTA.

Well, lo and behold, I got a call this week from the 81st St manager, who is looking into the complaint. I told her in no uncertain terms that she should find out what’s going on with this station agent. When she didn’t immediately sound convinced, I mentioned that wrongful arrests have begun to cost the city through the nose — and indeed, she sounded receptive to that point.

When I arrived home today from Boston, I had a follow-up letter from the MTA. It read:

“This is in response to your August 1 telephone call to MTA New York City Transit reporting a station agent at the 81st Street station.

We regret if you experienced any difficulty while using the subway system. We have forwarded your complaint to supervision in our Department of Subways for review. Based on the information you provided, we hope to identify this station agent for questioning and appropriate action.”

I’m pleased to know that the MTA is looking into this. It doesn’t make sense for their staff to be enforcing rules that don’t exist, and they’re handling the problem the right way.

But, they’ll only be able to do that if we let them know about harassment stemming from station agents, and that means doing some sleuthing ourselves. If you’re ever harassed within a station, given a summons, asked to leave, or arrested, make sure you follow up on it with the station agent. Even if it’s the next day, you can likely find out who the person was and obtain a badge number. If you get confirmation that the station agent called the police — particularly if there’s a known problem with harassment, as there is at 81st St — you should call up 511 and report it.

The MTA’s willing to work with us on this one. And every time we advocate for discussion and training, we have the change to make a ‘harassment station’ into a safe station. That’s what we call change for the better in NYC!

Case closed: disorderly traffic summons

This is the first post in our case database. Hoping it grows, to give performers more information about dealing with legal threats in the future.

We had some good news in court today — not for me, but for a friend. She had been issued a pink summons for playing the guitar and singing at 53rd St. Once again, the charge didn’t fit the crime artistic performance: she was facing §240.20, ‘Disorderly Conduct.’ The statute reads:

A person is guilty of disorderly conduct when, with intent to cause public inconvenience, annoyance or alarm, or recklessly creating a risk thereof:
[…]
5. He obstructs vehicular or pedestrian traffic.

Of course, it could have been worse: she could have been charged with section 7, “[creating] a hazardous or physically offensive condition by any act which serves no legitimate purpose.” These laws are so hurtful!

On a more serious note, she went in for her court date and reports having had the charges immediately dropped. So that’s a victory for sanity, for music, and for culture. Cheers, all!