Busking log 7/03: A real instrument indeed

Today, I finally got to meet New York’s famous saw lady, Natalia Paruz, as she was performing at Herald Square. What a sound! I ate a falafel sandwich a few feet away while listening to her: and lo, this sandwich has now been immortalized in a thousand tourist pictures.

Speaking of less-known instruments, I also listened to an erhu player at the Natural History Museum. He was surrounded by a group from a kids summer program, all wearing matching yellow “Creative Arts” t-shirts and listening intently.

When we got in the downtown B train, I asked the school group if they knew what instrument the man had been playing. One reflected deeply, then said: “Well, it’s not a real instrument.” Oh no!

Fortunately, I know enough about the erhu to be able to give them a quick run-down — where it’s from, how it’s played, how important an instrument it is. They were interested to hear that the songs being performed probably have a lengthy history, just like Western classical music. Remember, New York: learning happens in the subway, too!

Busking log 7/2: the best of NYC

I took yesterday off from busking, which freed up the time to see a friend from Bard, visit Milo in his studio, and go on a massive donut binge. All worthwhile things.

Sometimes it’s hard to transition back into busking, but today wasn’t that day. Two stories about the kind of audience members I wish were more common:

  1. A family visiting from Colombia listened raptly to a whole sonata movement at 81st St. Then they asked to take a photo together with me, and we had a little chat in Spanish. If only all visitors to New York had as much time for the people as they do for the sights!
  2. I don’t usually have the chance talk to other people in the train, although I see them taking notice of the violin case and the stool.  Manhattanites just don’t seem very interested in hearing my side of the story. But on the downtown C train today, I had the nicest conversation about busking with my seatmate — a woman in her sixties — as though it were the most normal thing in the world that I was counting through a big heap of $1 bills. Thanks, stranger — I’ll see you around. For now, I’m psyched to go back out tomorrow!

In other news, you can now sign up for our mailing list on the contact page. Please do — especially the buskers among you! The time will come when we have to spread news around fast, and though I love seeing you all around in the subway, well, it’s just not the quickest way to spread the word…

Busking log 6/27: of arresting officers and subway contra

So, for the first busking log of the season, a couple interesting stories:

  1. Walking up Sixth Avenue, I saw my arresting officer from June 18th in uniform in front of a bank. (Hopefully no violinists do their banking there). I gave him a wave, he gave me a shrug, and life went on as usual. I don’t stay up nights hoping that he learned something from the arrest, but I would love to see him get into a subway performance someday.
  2. I’ve been making an effort to add a few new stations to my performance list. The target for the day was the 49th St. NQR, but due to an unfortunate fecal situation on the platform, it had to be abandoned. (Human? Canine? I’ll never know).
  3. In any case, I wound up at the 42nd St. BDFM at rush hour. It’s a two-platform, four-train station, and seemed a bit overwhelming. I skipped Bach and went right for New England tunes with a big grin, trying to imaging that everyone in the muggy, crowded station was participating in a vast, underground hey for four. (Allemand left, ladies chain, and stand clear of the closing doors!) The tunes worked to crack $20/hour — probably better if I go after rush hour. And they really generated some smiles among the audience.  See you soon for more commuter contra, 42nd!